Bakary Diallo | 18th Festival
The artist, who won a prize at the 18th Festival, discusses the connections between his work and the political scenario in his native country, Mali, and speaks on his notions of nature and community
testimonies
Basir Mahmood | 18th Festival
The Pakistani artist discusses his award-winning piece My Father and the connections between time, affection, art, and memory
testimonies
Laura Huertas Millán | 18th Festival
The artist, who won a prize at the Festival’s 2013 edition, presents her questionings on the notion of exoticism, which is discussed in her Journey to a Land Otherwise Known
testimonies
30 YEARS: Sandra Kogut | 18th Festival
The artist, who won a prize at the 1996 Fesetival, reminisces on the early days of video in Brazil, in the 1980s, and discusses the role of Videobrasil, and the opportunity to create a piece of work at the Montbéliard Festival in 1989
testimonies
Sea of Screens (program 7) | Isaac Julien: Geopoetics
Ten Thousand Waves (2010) is the theme of the series’ closing program
TV series
Passages: Black Box - White Cube (program 1) | Isaac Julien: Geopoetics
Featuring images and footage from an exclusive interview with Isaac Julien, the program provides an overview of the artist’s output
TV series
Editorial Intentions: Who Reads and Who Writes, What For (3) | 17th Festival
How conceptual artists, critics, and curators use publications to promote a new artistic expression
public programs
Southern Panoramas: Editorial Intentions: Who Reads and Who Writes, What For (2) | 17th Festival
How conceptual artists, critics, and curators use publications to promote a new artistic expression
public programs
Editorial Intentions: Who Reads and Who Writes, What For (1) | 17th Festival
How conceptual artists, critics, and curators use publications to promote a new artistic expression
public programs
Southern Panoramas: Reflections on Contemporary Art - Hypotheses to the South (program 14) | 17th Festival
This series of three programmes brings together audiovisual essays that enhance our reflections on the contemporary art system in the South circuit
TV series