Luiz de Abreu | Unerasable Memories
The performer and dancer discusses O Samba do Crioulo Doido, his autobiographical performance about black and Brazilian identity
testimonies
Ingrid Mwangi | Unerasable Memories
Artist from the Mwangi Hutter duo muses on the specificities of performance and its connection with video recordings
testimonies
Coco Fusco | Unerasable Memories
Artist comments on her Bare Life Study #1 performance, a denunciation of the US military’s treatment of its political prisoners
testimonies
Ayrson Heráclito | Unerasable Memories
The artist discusses the enslavement of black people brought from Africa to Brazil in his Barrueco, created in partnership with Danillo Barata
testimonies
Octavio Zaya | Unerasable Memories
The Spanish curator comments on Letter To My Father (Standing By the Fence), by Colombia’s Carlos Motta, about the September 11 attacks
testimonies
Enio Staub | Unerasable Memories
The main purpose of Enio Staub’s Contestado, a Guerra Desconhecida is to shed light on the civil war that took place in Paraná and Santa Catarina States between 1912 and 1916
testimonies
Aurélio Michiles | Unerasable Memories
The filmmaker from Manaus discusses his documentary O Sangue da Terra, a portrayal of an oil company’s invasion of the Sateré-Mawé tribe territory’s in the 1980s
testimonies