Eduardo de Jesus | Unerasable Memories

The researcher expounds on the real, imaginary and symbolic dimensions of Unforgettable Memory, by the Chinese artist Liu Wei, about the 1989 Tiananmen Square Massacre

João Laia | Unerasable Memories

Writer and curator comments on the video Untitled (Zimbabwean Queen of Rave), by Dan Halter, which likens footage from rave parties in European countries to human rights demonstrations in Africa

Anna Ferrari | Unerasable Memories

The person in charge of Fundación Augusto y León Ferrari Arte y Acervo, León Ferrari’s granddaughter discusses the Casa Blanca video, which Ferrari made in partnership with Ricardo Pons

Batendo Amalá, by Ayrson Heráclito | Unerasable Memories

Renegade Histories: Memories of Indigenous and African Descent | Unerasable Memories

Luiz de Abreu | Unerasable Memories

The performer and dancer discusses O Samba do Crioulo Doido, his autobiographical performance about black and Brazilian identity

Ingrid Mwangi | Unerasable Memories

Artist from the Mwangi Hutter duo muses on the specificities of performance and its connection with video recordings

Coco Fusco | Unerasable Memories

Artist comments on her Bare Life Study #1 performance, a denunciation of the US military’s treatment of its political prisoners

Ayrson Heráclito | Unerasable Memories

The artist discusses the enslavement of black people brought from Africa to Brazil in his Barrueco, created in partnership with Danillo Barata

Octavio Zaya | Unerasable Memories

The Spanish curator comments on Letter To My Father (Standing By the Fence), by Colombia’s Carlos Motta, about the September 11 attacks