Gianni Toti | 9th Festival
One of the people honored at the 1992 edition, Gianni Totti discusses the roles of artist and of art. To him, art is the chaotic beginning at which order and power are made to contradict each other
testimonies
Eduardo Coutinho | 9th Festival
The filmmaker presents his perspectives on video and documentary in Brazil, discusses the notion of authorship, and television productions
testimonies
Bill Viola | 9th Festival
“All technological breakthroughs affect my work,” explains Bill Viola. The notion of perception is central to the artist’s work, and the body is the key with which one connects with the world
testimonies
Amaral Netto | 9th Festival
Amaral Netto discusses the independent news report produced for TV, and the notion of truth in the reporter’s work
testimonies
Solange Farkas on Metropolis | 11th Festival
In an interview to TV Cultura, the Festival director breaks out the news on the 1996 edition, including the e-catalog, the Phot-in-progress show, and the daily performance programming
in review
Event’s coverage on TV Cultura | 10th Festival
The 1994 Festival coverage presents the competitive show figures: 239 video submissions, 27 shortlisted, and the winners were Janaúba, Diástole, Tereza, and Captain Cardozo
in review
Event’s coverage on TV Cultura | 09th Festival
The coverage featured the highlights of the 1992 Festival’s closing day, including the debate “10 questions for 100 Brazilians,” focusing on Brazilian TV; Roberto Muylaert was one of the participants
in review
Event’s coverage on TV Cultura | 9th Festival
The coverage of the 9th Festival, in 1992, featured the preparations leading up to the event, highlighting the increased number of foreigners in the competitive show, and a few international guests, such as Jean-Paul Fargier and Bill Viola.
in review
Walter Avancini | 8th Festival
"Using our reality in a creative way,” says TV director Walter Avancini on discussing South-North exchange in video production
testimonies
Sandra Kogut | 8th Festival
“30 seconds of fame” is the period of time people can enjoy in front of the camera set on the streets of Rio de Janeiro, the artist Sandra Kogut explains in 1990
testimonies