Spanning from a supposed lecture from Paul B. Preciado – where sex, gender and sexuality are recognized in their political uses – to the actual plot, featuring a transsexual living in the year of 2031 –, the work singles out the freedom of the body as a key element in defining one’s individual liberties. At a time of political-social turmoil, the piece depicts government clinics where transsexuals are treated – places on the verge of extinction where the main character gets medical attention. Symbolically, the discontinuation of these official sites and the shifting of gender and sex change treatments into aesthetics clinics go down in history as the White Year, a moment of political radicalization and bodily autonomy.