The plot pirouettes between the protagonist, a Wall Street type who claims to have lost millions, and dancers who respond to his soliloquy in transgressive behaviors. The scenic elements evoke financial institutions; historical references include Cosimo De Medici and the roots of our banking system. The tension between performance and register drives the piece. The artist exploits a love/hate relationship with money and dwells on its connection with the ideas of domination and persuasion.
