• 
	William Kentridge, Solange Farkas and Danilo Santos de Miranda

    William Kentridge, Solange Farkas and Danilo Santos de Miranda

  • Zwelethu Mthethwa and Solange Farkas
    Zwelethu Mthethwa and Solange Farkas
  • 
	Oladélé Ajiboyé Bamgboyé being interviewed next to his piece An Exit Perhaps

    Oladélé Ajiboyé Bamgboyé being interviewed next to his piece An Exit Perhaps

  • 
	Curator Solange Farkas being interviewed 

    Curator Solange Farkas being interviewed 

  • 
	William Kentridge

    William Kentridge

  • 
	Tracey Rose, Clive Kellner and Zwelethu Mthethwa

    Tracey Rose, Clive Kellner and Zwelethu Mthethwa

  • 
	Installation by Kendell Geers

    Installation by Kendell Geers

  • 
	Oladélé Bamgboyé

    Oladélé Bamgboyé

  • 
	Installation by Kendell Geers

    Installation by Kendell Geers

  • 
	Rebirth, video installation by Zwelethu Mthethwa

    Rebirth, video installation by Zwelethu Mthethwa

  • 
	Photograph boards by Zwelethu Mthethwa

    Photograph boards by Zwelethu Mthethwa

  • 
	Behind the scenes photographs of William Kentridge by Camila Butcher

    Behind the scenes photographs of William Kentridge by Camila Butcher

  • 
	Behind the scenes photographs by Camila Butcher

    Behind the scenes photographs by Camila Butcher

  • 
	Oladélé Bamgboyé, picture from behind the scenes by Camila Butcher

    Oladélé Bamgboyé, picture from behind the scenes by Camila Butcher

General curatorship by Solange Farkas
Guest curator: Cliver Kellner
2000 | SESC Pompeia, São Paulo, SP, Brazil

A vast continent with an unique history, Africa’s contemporary artistic output is as diverse as its constituent nations. In 2000, Associação Cultural Videobrasil brought some of Africa’s most active artists together for the first time in Brazil, in the Contemporary African Art Show. In SESC Pompéia, artists such as William Kentridge, Oladélé Ajiboyé Bamgboyé, Zwelethu Mthethwa, Kendell Geers, Sue Williamson, Fernando Alvim, Tracey Rose, and Jean-Pierre Bekolo have presented unknown works, in an important special curatorship by Solange Farkas, Associação’s director, and South-African art critic Clive Kellner.