Focus 2: 18th Festival: vectors and inflexions | Curators introduce shows and actions (Part 1) | 18th Festival

Focus 1: Counter-TV: experimental practices in video in the 1980s | Invading the grid (Part 2) | 18th Festival

Focus 1: Counter-TV: experimental practices in video in the 1980s | Invading the grid (Part 1) | 18th Festival

Focus 1: Counter-TV: experimental practices in video in the 1980s | Everything can be a TV show (Part 2) | 18th Festival

Focus 1: Counter-TV: experimental practices in video in the 1980s | Everything can be a TV show (Part 1) | 18th Festival

Editorial Intentions: Who Reads and Who Writes, What For (3) | 17th Festival

How conceptual artists, critics, and curators use publications to promote a new artistic expression

Southern Panoramas: Editorial Intentions: Who Reads and Who Writes, What For (2) | 17th Festival

How conceptual artists, critics, and curators use publications to promote a new artistic expression

Editorial Intentions: Who Reads and Who Writes, What For (1) | 17th Festival

How conceptual artists, critics, and curators use publications to promote a new artistic expression

Panoramas do Sul: Hipóteses para o Sul (3) | 17º Festival

The role of curatorial actions in creating new mappings for Southern production. The panel is a part of the 2011 edition

Panoramas do Sul: Hipóteses para o Sul (2) | 17º Festival

The role of curatorial actions in creating new mappings for Southern production. The panel is a part of the 2011 edition